Scene
“I had never known how strong women could be until then.”
The U Manitoba Press publisher page identifies CFB Goose Bay as the Innu protest site at the heart of the diary; the Project MUSE review reproduces this verbatim Penashue line anchored to the runway camp.
Tshaukuesh Elizabeth Penashue, Nitinikiau Innusi: I Keep the Land Alive (University of Manitoba Press, 2019), excerpt via Esme G. Murdock review in Transmotion (Project MUSE) — source
Places
- Set atCFB Goose Bay↗
The U Manitoba Press publisher page identifies CFB Goose Bay as the Innu protest site at the heart of the diary; the Project MUSE review reproduces this verbatim Penashue line anchored to the runway camp.
Tshaukuesh Elizabeth Penashue, Nitinikiau Innusi: I Keep the Land Alive (University of Manitoba Press, 2019), excerpt via Esme G. Murdock review in Transmotion (Project MUSE) — source
- AboutSheshatshiu↗
U Manitoba Press's publisher page explicitly anchors the diary's composition to Sheshatshiu and reproduces its table of contents and editorial framing.
Tshaukuesh Elizabeth Penashue, Nitinikiau Innusi: I Keep the Land Alive (University of Manitoba Press, 2019), via publisher description — source
- Set atMealy Mountains (Akamiuapishkᵘ)↗
The CBC Books interview at the Lawrence O'Brien Arts Centre book launch quotes Penashue anchoring the diary's nutshimit walks specifically to the Mealy Mountains; the publisher's table of contents corroborates the Mealy Mountains as a recurring setting.
Tshaukuesh Elizabeth Penashue, Nitinikiau Innusi (U Manitoba Press, 2019), excerpt via John Gaudi, CBC Newfoundland & Labrador (5 May 2019) — source
- AboutNorth West River↗
CBC's interview with Penashue at the U Manitoba Press launch explicitly anchors a North West River diary entry to the Labrador Interpretation Centre and Queen Elizabeth's visit.
Tshaukuesh Elizabeth Penashue, Nitinikiau Innusi (U Manitoba Press, 2019), via John Gaudi, CBC Newfoundland & Labrador (5 May 2019) — source